In the heart of Harumi, Japan, Kengo Kuma and Associates (KKAA), an architecture business primarily based in Japan, have developed a semi-open and temporarily put pavilion for art performances, functions, and showcases that will be deconstructed and repurposed in the long term for a further pavilion situated in Hiruzen Countrywide Park of Japan’s Okayama Prefecture. Comparable to the mountain’s summit in Hiruzen, Kengo Kuma’s pavilion was designed and layered in this sort of a way that depicts a melding of the two the shoulder of a rocky mountain and a greenhouse drenched in daylight.
The designers guiding Harumi’s momentary pavilion utilised a steel frame as the structure’s foundation, over which CLT panels had been overlaid to make a multi-paneled facade that spirals and crests in direction of the open up sky. CLT panels, or Cross-Laminated Timber, are interesting for their prefabricated, light-weight nevertheless sturdy quality and their neat installation system which has a very low in general environmental impact. Though the CLT panels form a zig-zag sample and overlap a single an additional from their orthogonal gluing approach, exposed gaps of open-air essential masking. Planning for matches of undesirable climate, KKAA bordered the gaps of air with transparent parts of copolymer film known as, TEFKA. On the reasoning guiding picking TEFKA to board up the pavilion, Dr. Kengo Kuma stated that the weather-resistant movie, “is lighter than glass and so pliable as to be rolled to transport it. It is [the] best material for relocation and reconstruction. It also has the perfect transparency we have sought.”
By applying distinct, glass-like plastic film to preserve a shut place within just the pavilion, even though retaining the zig-zag pattern of the CLT patterns, shadows of sunlight convert this community pavilion into a glittering forest maze during peak sunlight hrs. On top of that, inside of the inside exhibition, odes to the natural environment and forestry operate rampant. In rooms like, “The Forest Home,” tornado-like, crossed panels of timber resemble the monolithic vigor and longevity of wooded forests. The CLT panels were being produced and offered by Meiken Lamwood Corporation in Maniwa, employing timber from Japanese Cypress trees, obtained from Japan’s Okayama Prefecture, the place the group at Kengo Kuma strategy on relocating their semi-open-air pavilion. From the components utilised to develop this communal, purely natural area to the forthcoming significant go back again to the CLT Park’s roots all get the job done collectively in reminding us of how close we remain to the pure entire world and of the inescapable journey again for every of us.
Designer: Kengo Kuma and Associates